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Witty Returns - Style Weekly

I’m tired of apologizing for Woody Allen. I’ve rated his recent films higher than most critics. Not sure why, but I probably gave “Celebrity” a higher rating than anyone else who Saw it. (There are, of course, exceptions to this.) I just like Allen’s sensibility. He Was Seinfeld before Seinfeld. I like almost all Woody Allen movies: when he’s in them, when he’s not in them, when he’s being funny and when he’s being serious. But aside from a couple of classic straight-up comedies — “Annie Hall” and “Hannah and Her Sisters” — Allen is at his very best when he’s being slyly funny and deadly serious at the same time. I’ll have to apologize no more: “Match Point” is nearly perfect, a “Crimes and Misdemeanors” for the aughts, done, inexplicably and most unexpectedly, British-style. It’s a thriller, and it’s a darkly black comedy that’s effortless in its attempts to be funny. It is Allen’s best work since the mid-’80s.Twenty years is a long time to wait for a masterpiece, but “Match Point” is worth it. The setup is traditional and unsurprising, belying the sophisticated film that follows. Chris (Jonathan Rhys-Meyers) is a former Pro Tennis player who never really - More available

Deconstructing Harry

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